You enter a set of imagined worlds shaped by history, myth, and divergence — places that almost happened, people who almost existed. Short stories, character scenes, fragments of lost civilizations, alternative timelines: all of it drawn from real cultures, real political fractures, real traditions that nearly died.
These stories become oil paintings. From each one I take the essential emotion, the one action that carries it, and I build toward what you can see without being told.


